"Zion, Morning" © Zion National Park, Utah

After 6 years of blogging I have finally reached my goal of 1,000 paintings on this blog.  In this posting I am showing the process working from the small original to a larger studio painting.  Leave it to the family to spot an area that needs addressing.  My daughter suggested that I change the width of the river  as it recedes from the viewer and I agree with her.  Fortunately working in oil I have the luxury of making changes as long as needed to create a decent painting.  So I'll keep after this one.

This is the very beginning of the painting process.  On the left you can see the little study that has all the information for a larger painting.  Sometimes the larger paintings never measure up to the little guys but I am going to give it a go here. 

At this point I have paint all over the canvas and each shape is addressed in large flat color.  

Slowly I am fine tuning each area, checking values , color and design.  If the painting is lacking in any of those areas I have the option of pushing or pulling until the piece works thanks to working in oil paint. 

"Zion, Morning", 20" X 24"  Oil on Canvas  

"Heritage Valley Farmland" ©

Next month I will deliver 40 paintings for a solo show at the Segil Gallery in Monrovia. This place looks like a studio / gallery / framing store, anything but a home where people actually live. I didn't realize until a couple stopped by to pick up a painting today and I saw all of it with their eyes. What can I do? So, I am back at the easel, painting "Heritage Valley Farmland".

Oil on Canvas, 14" X 18"

"Palms in the Desert" ©

I find it amazing that Palm Trees thrive in our Southern California deserts. When you are painting them you can hear the rustling of their skirts in the wind and it's amazing to watch all the little birds and mice scurrying in and out of the shelter of the palms.

Oil on Canvas, 16" X 20"

"Sunlight on the Riverbank" ©

Pardon the photo, Santa brought me a new computer and we are still making friends. I am learning the Mac way, after 18 years of Windows. Today's little painting gives you a peek at the backside of the Hansen Dam recreational area. The sparkly white sand was what attracted me to the scene and became the focal point of the painting.

Oil on Canvas, 12" X 12"

"Winter Light"

Painting just down the road from home is a good

reminder that you don't have to drive for miles to find a painting spot.

Oil on Canvas, 6" X 8"

sold

"Kern River, Morning"

Winter mid-week on the Kern River, completely quiet and void of human activity. A nice place to sit and think for a while.

Oil on panel, 8" X 10"

"Half Dome" ©

Half Dome, so easily identified that one of my daughters friends that cruised past my easel today exclaimed, "Hey that's Half Dome!"

Oil on Canvas, 16" X 20"

"Whitney Canyon Colors"

Living in So California, the mild weather lends an advantage to painting out. My painting buddy Lorelle and I hiked into Whitney Canyon to paint, meeting the one and only predator dressed in a cape, mankini (pink) and a lovely pink bra. I think someone should write a book, describing all the things plein air painters encounter.

Oil on panel, 10" X 12"

"Nice Place to Be" ©

About 4pm you witness the last rays of light down in Whitney Canyon. Standing still you can watch the sunlight drift though the trees lighting up different spots as the sun sinks. I was doing just that, thinking what a "nice place to be".

Oil on Canvas, 20" X 24"

"Simone" ©

Simone is one of the lovely large white cows that I met in France last year. She was mildly interested in me the day I painted her in a small sketch as one of her "sisters" attempted to snatch my backpack. I quickly dropped my brush and rushed over to save my gear from the dear girl.

Oil on Canvas, 20" X 16"

sold

Winter Day ©

The idea of this little painting was the light streaming though the Oaks with the last bit of warmth striking the very dry sand in the bottom of the creek.

My time was limited as the light slipped away from me. I do like the idea of the painting and it might be worth exploring on a larger canvas in the studio.

Oil on canvas, 6" X 8"

"Waiting for Sunrise" ©

Clouds announcing the appearance of the sun for the day, in shades of pink. This was the scene just before sunrise, in the heart of France as we headed out to the bakery for the morning baguettes.

Oil on canvas, 14" X 18"

available for purchase $850.

"Golden Glow" ©

Walking along this Quigley Canyon trail, that is used by horses more then anything else I saw a buck with large antlers watching me. He went back to nibbling his dinner and I enjoyed the glow from the sinking sun light up the hills beyond the oaks.

Oil on Canvas, 12" X 16"

"Golden Moment" ©

Once in a while there is a moment at the end of the day when the earth seems dusted in gold, just before the sunlit finally dims into dusk.

Oil on Canvas, 38.5" X 17"

sold

"Morning on the Kern River" ©

You would never know that we were painting in downtown Kernville. A short walk though the park, down the little bank and your on the sandy beach watching the lazy river drift by. It's a bit of an illusion, it's a very dangerous river to stick your toe in. There is a strong current running under the serene surface that will take you down river into the rapids very quickly. Marian Fortunati, Diane Nelson Gold and Sharon Weaver were my painting buddies on this trip. We all painted this morning scene from different vantage points. After we finished, looking at our morning efforts I was once again amazed how artists will approach the same subject so very differently.

Oil on Panel, 10" X 12'

"Radiant Rabbitbush" ©

The tiny town of Onyx, California is known for the 80 or so, Turkey Vultures that come to roost at night in the park pine trees. In the morning they spread their wings to warm up with the day, then fly off into the desert until the next night.

What captured me in this scene was the back lit Rabbitbush and evening light blanketing the desert.

Oil on Canvas, 16" X 20"

available for purchase: $1,100.

"Kern River" ©

Driving up the Kern River Canyon there are several spots to pull over and picnic while enjoying the river view. This was my first attempt painting the Kern on the trip last week. The first painting is always exciting, figuring out the palette of the landscape and how to paint what I am seeing that is so different then what I typically paint at home.

Painting on Source Tek panels, #66, always helps, the little lovely linen panels practically paint themselves.

Oil on panel, 10" X 12"

"Riverkern Beach" ©

About 8:30am, along with artists Marian Fortunati, Diane Nelson Gold and Sharon Weaver we painted at Riverkern Beach, just a few minutes from downtown Kern River, CA. The conditions were perfect for painting, no bugs, snakes, wind and quiet except for a volleyball game at the campground next door. Actually, while your painting you don't hear anything, so the guys yelling didn't matter one bit. We had a great trip, painting and sharing. Lucky girls!

Oil on panel, 10" X 12"

"Sun Dusted Creek"

Our city purchased more "open space" off Quigley for hiking, biking, horseback riding and just plain enjoyment recently. I was walking late in the day and saw this view. Of course it ended up on canvas, what else was I to do? It's only about a mile from my home, so there will be more paintings of the Quigley Open Space to come.

Oil on Canvas, 16" X 20"

"King Gillette Ranch, Morning"

Yesterday the California Art Club's Ventura/Malibu chapter held a paint out at King Gillette Ranch. Located just over the mountain from the ocean, we were out of the haze but could see it drifting over the ridges. George organized the event perfectly as usual, he even sends us maps with little notes of where to park. This was my painting for the day, now looking at it I see bunches of details I should have adjusted while painting but standing out there it's too easy to just paint what you see. The never ending learning continues!

Oil on panel. 9" X 12"