"Cloud Chasing"

Purely for the fun of it, I painted this warm soft sky today.  The location is on the coast in the small magical seaside town of Malibu.  Todays rainy weather had clouds gathering together quickly and separating just as fast, reminding me when painting a moving sky, you just have to pick a pattern in the clouds and stick to it.  

Oil on canvas,  14" X 18"

"Art Alfresco and El Matador Beach" ©

Today was the monthly California Art Club paint out, hosted by George Malone.  George picked El Matador beach for our gathering spot and the day couldn't have been more perfect.  With most children back in school the parking lot and beach had plenty of room.  So you don't think I paint with sun on my palette and shade on the painting you should know I turned my easel for the photograph, since I had my back to the sandstone cliff as I couldn't get back far enough for you to see the whole spot from where I was actually painting.  One thing I learned today is not to set up so close to the cliff as the wind blew sand off the cliff onto my painting.  It's covered in sand and the paint as some chunks floating on the surface.  The other thing I learned today is Gamblin's new warm white is a luscious and good replacement for Titanium white when painting outside.  I can't wait to try their other newly introduced colors.

What grabbed my attention was the lone big rock lit from above with the shadowed bigger rock behind it adding to the drama of the scene.  

Oil on panel, 9" X 12"

Last weekend I showed paintings at the Ventura Museum for their event "Art Alfresco".  Below you can see my booth set up, before they opened the doors to the public.  I was able to meet several new art lovers and collectors and the weekend was a success for everyone.  I'll be back in two years for the next event.  If you are ever in Ventura looking for a dinner spot, try out Sushi Marina.  The service and food couldn't have been better.  

"Rolling In" © studio

"Rolling In" on the easel, shows a good example of taking a small oil "sketch" and creating a large painting from the idea captured in the sketch.

Oil on Canvas, 30" X 40"

My small painting is on the little easel to the right of the larger canvas. I knew I wanted the same proportions for the canvas but didn't have a fresh canvas on hand in that size, so I pulled an old canvas with an idea for a commission (long since finished and delivered) turned the painting upside down to lessen the confusion of waves vs. ducks and starting laying out the seascape.

At this stage the ducks are completely covered and I have laid in the general shapes and color patches, here and there. This is the fun part for me, feeling my way around the painting, making decisions and adjustments.

Here is a close up of the palette. I know it looks like a mess and I am constantly scraping down the glass starting over with a big clean space. The palette is custom. Sounds fancy but in honesty a quick inexpensive solution to needing more palette space. My husband cut a piece of wood and I had the fellow at Newhall Glass Co. cut a piece of glass to fit. I painted the back of glass gray and with not too much trouble I had a terrific palette. I have to give a little shout out for the Gamblin Radiants on the lower right side. Love them!

Oil on Canvas, 30" X 40"

"King Gillette Ranch, Morning"

Yesterday the California Art Club's Ventura/Malibu chapter held a paint out at King Gillette Ranch. Located just over the mountain from the ocean, we were out of the haze but could see it drifting over the ridges. George organized the event perfectly as usual, he even sends us maps with little notes of where to park. This was my painting for the day, now looking at it I see bunches of details I should have adjusted while painting but standing out there it's too easy to just paint what you see. The never ending learning continues!

Oil on panel. 9" X 12"