"San Juan Creek" ©

Looking at this image, painting the piece feels like a year ago, yet it was only one week. Untethered to the computer, painting all day everyday for a week as a participant in the San Clemente Plein Air Competition, I enjoyed every second. We were allowed one painting from any place within Orange/San Diego County. Looking for sunshine I found the Caspers Wilderness Park in San Juan Capistrano. This park is laced with equestrian trails, Sycamores, Oaks and dry riverbeds surrounded by mountain ranges. A stunning location for artists. Standing on the deck of the nature center I had a birds eye view of the "San Juan Creek".

Oil on panel, 11" X 14"

"Trestles Trail" ©

I am heading for San Clemente for the "Paint San Clemente" plein air competition. One of my goals is to become proficient enough to do well and attend many of these events that occur around the country. Last year I painted "Trestles Trail" and I still remember the day as if it were yesterday. I have posted it because my brushes are officially packed, along with my paint and panels. I will take my laptop and see if I can't post from the hotel, you never know. This year I am taking my bike, hoping to be able to travel further on the trails with my gear then I could on foot. It's pretty exciting!

Oil on Panel, 8" X 10"

"Sierra Morning" ©

The last 2 days I have been painting this piece and it's getting close to the finish. I photographed it on the easel, any closer and the shine from the lights washed out areas, because of the size of the canvas and wet paint. I miss painting the tiny 5" X 7" daily's regularly but have to be disciplined and paint larger till I have all of the inventory for my November show. A note to artists, this image is from the http://www.wetcanvas.com/ reference library. A great resource for artists that is created by artists, without worries of copyright issues.

Oil on Linen, 24" X 20"

"A Quiet Place" ©

It's not often that we quiet our minds. Cell phones, iPods, TV's, computers, life banging away at our brains. I needed a break and decided to get "quiet", painting a very "quiet place".

Oil on panel, 5" X 7"

"Pacific Sunset" ©

The San Clemente plein air competition and art show is coming up soon and it seems my mind is focused on the ocean. I can't wait to paint the rolling waves, wet sand and clouds glowing with the last of the sunlight.

Oil on Linen, 11" X 14"

"Spring Storm" ©

Sunday during the studio tour I attempted to paint this painting. I wanted people to see what it is like to actually paint in oil, since the tour was all about a peek into our world. Now that I am looking at it online, I think that it would be improved by breaking up the strong dark diagonal shape of the foreground and working a bit more in the clouds. We have had clouds for the past couple of weeks and I have just sat and watched them graze in the sky.

Oil on panel, 8" X 10"

June 15th - The image on the easel is "Spring Storm" after tweaking the painting. Once posted it's easy to see a paintings faults.

"Sycamore Shade" ©

This is the larger painting created from the small blog a few days ago. My main inspiration was the play of the sunlight within the leaves, branches and trunk. Even with the weekend art events breaking up painting time I worked very hard to stay on track and not loose the light.

Oil on Linen, 24" X 18"

"Rancho Camulos" ©

Raymar panels are high quality and I just received a shipment of the double primed linen panels. In order to really compare the support I painted this little view again of Rancho Camulos in the morning light. Since I had just painted the same view plein air on a Fredrix Linen panel (my current favorite) it was a good test to see the differences. I knew how the paint moved and worked into the Fredrix and the Raymar was quite different. I did appreciate the smooth finish of the Raymar and how the paint seemed to stay fresh and lively.

Oil on Raymar panel, 8" X 10"

"Sycamore Shade" ©

Quickly I painted this little sketch to take to painting group this evening so that I could paint a larger piece of the same view. I have most of the idea worked out, as I wanted the viewer to feel as though standing in the shade of the Sycamore looking out over the valley and hills beyond. I am hoping in the larger piece to really develop the tree trunk beautifully. We'll see....

Oil on panel, 5" X 7"

* it's taped to a piece of cardboard for easy transport and viewing.

"Another Sunset" II ©

Painting from the small (5" X 7") panel, I worked out this larger version. Working on stretched linen after several paintings on different surfaces, was such a pleasure.

Oil on Linen, 20" X 24"

"Morning Walk" ©

The way the light dances around in the trees carries my feet forward on my "Morning Walk".

Oil on panel, 5" X 7"

"Another Sunset" ©

Just to be sure the new panels were as great as I first thought, I pulled out another one and had a go at it today. Yes, they truly are super! *For artists: They are "Primed Art Panel" from Mister Art online. I had previously purchased the Houston Art Panels but they are no longer available from the company to artists directly since Speedball purchased company.

Oil on Panel, 5" X 7"

"Heading Home II" ©

This morning I still thought the little "Heading Home" had promise, so I walked back to the spot and looked again with my "artist" eye. Using that memory and the little study from yesterday I painted a larger version of the view. Tomorrow I'll fix edges, soften and harden where needed and add thick paint with color all over the canvas.

Oil on Canvas, 18" X 24"

"Heading Home" ©

This small painting was an experiment, working on a new surface for me. It's a gessoed panel that is ultra smooth, like glass. Wow, this panel will be added to my inventory of blank canvases and panels. Having a lot of blank materials to paint on may be a continuation of what I learned carving stone. If you have several stones in your inventory, you can work fast without fear of not having another stone to carve and it frees you up to try an idea, knowing there is always another stone waiting in the wings. The same seems to be true for having a nice selection of blank canvases and panels.

This painting is the view of my walk home from Sierra Highway. It's being cleaned up and trees seem to be disappearing, so construction is on it's way but for now it's raw and wild.

Oil on panel, 5" X 7"

"Seaside Play" ©

Last evening I visited the reception for "On Location In Malibu" at the Frederic R. Weisman Museum of Art on the Pepperdine University campus. The paintings truly capture the colors and light of Malibu. Well worth the time and effort to visit, whether your an artist or collector. Thinking about that exhibit and wanting a few more "ocean" themed paintings for my San Clemente show I painted "Seaside Play".

Oil on linen panel, 12" X 9"

"In The Harbor" ©

Working on a large commission today, I took a break and played in the reflections of a tiny harbor near Fort Bragg.

Oil on Linen, 12" X 16"

"Rancho Morning" ©

Rancho Camulos near Filmore opened their property to artists today. We painted barns, an old truck, gardens and the distant mountains. Spending the day amongst the orange groves and Spanish buildings it was easy to imagine the Rancho in it's prime. My painting found a home with one of the lovely docents, so I photographed it quickly still on my easel. Of course it's an odd angle and the wall to the right is reflecting on the canvas but you can see the general idea. All round it was a wonderful May day.

Oil on Linen panel, 11" X 14"

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"Valley Below" ©

After a weekend of showing work in Sierra Madre it felt really good to be back at my easel, almost like it had been weeks rather then 4 days. I have a commission canvas to be painted next but thought I should get my brushes tuned up by painting something smaller and chose a familiar view in Sand Canyon where the San Gabriel mountain range ends. Tomorrow I'll be painting at Rancho Camulos near Piru and can't wait for the morning to come.

Oil on Linen, 14" X 18"

"Ocean Cliffs" ©

Last year I painted a small plein air piece of this view. Anticipating my return I pulled that little piece out of a pile and explored the road along the cliffs once again. I believe that is a huge benefit to painting out, you have wonderful references that bring back everything as real as if you were at that very spot once again, from the sound of the sea to the cool ocean air.

Oil on linen, 14" X 18"

"Hopland Pasture" ©

If you look back at 1/9/09, the original "Hopland" was posted. I took that painting and looked at it with a critical eye and attacked the canvas. I took out the vineyard as the color fought with the rest of the painting, I added to the sky, changed the mountains, added color to the trees and softened the cows. Actually I practically painted the piece top to bottom again. I like this much better.

Oil on canvas, 16" X 20"

Golden Time" ©

Thinking about the upcoming San Clemente Plein Air event "Golden Time" came to mind.

Oil on Linen, 14" X 18"

"Hoppers Creek, Sunset" ©

Exploring for the next "big" canvas. This area off the 126 Hwy is a favorite.

Oil on panel, 5" X 7"

"Sierra Spring" ©

Today while waiting to hear if I am a Grandmother, I took out "Sierra Spring" and pulled the painting together. It was blogged recently, knowing that it had issues. Here are the changes I made: brightened/deepened the blue in the sky, gave the clouds volume, pushed darks into the base of the distant trees, widened the river, lowered the bushes along the rocks, finished the rocks by adding a range of value and colors to give them form and variety, made sense of the water and painted the brush in the shade on the left. It's much better now, almost ready to be signed.

Oil on canvas, 20" X 24"

"Palms At Sunset" ©

Coming up with titles for paintings can be really tough, especially at the end of the day when your spent in every way. Today at the Pasadena Museum of California Art, Jean Stern gave a lecture on the history of the club. He mentioned that artist William Wendt used epic poetry and the Bible to inspire his titles. "Palms At Sunset" will have a better title, I'll just read with titles in mind.

Oil on panel, 5" X 7"

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"Spring Evening" ©

I waited to post this little sunset study until it was dry enough to lay on the scanning bed and be scanned. I am looking for a more accurate way of producing images, rather then the digital camera that depending on the light, time of day, if I am standing on one foot singing, whatever, they never look true to the original. Maybe this is better, the image on my computer screen shows the foreground and trees much darker then the painting and wipes out all of the work. Still searching.....

Oil on panel, 8" X 10"

"Over Grown Trail" ©

You can still pick your way through the brush to the creek, watching out for snakes and holes. Not long ago this trail was used often by kids on quads, keeping the wild weeks from taking over. I was wandering about 6pm and found myself captivated by the color mix of lavenders and golds.

Oil on Linen, 14" X 18"

Study with J.

A dear friend and fellow artist was lamenting finding an artist to explore painting a sunset. I suggested she find a sunset painting that she admired and we would do a "paint along" using that image. Today we painted this piece together and I enjoyed taking the day off from serious work, learned a lot and feel the exercise was worth the time.

Oil on Canvas, 11" X 14"

"A Nice Place To Ride" ©

Saturday night I painted in the fastest quick draw ever. We all had a great time. The western music floated in the air as guests nibbled on food and sipped wine. The people watching were so kind, not wanting to bother the artists, knowing how precious our time was. At the end there was an auction and all of the art found new homes. As you can see I changed my painting a bit from the practice paintings. Once I arrived and got all set up, I just painted rather then trying to exactly replicate my practice paintings and it worked out fine. This little piece almost painted it self, I would have been happy to bring it back to the studio.

Oil on panel, 8" X 10"

"A Place To Ride" ©

Tonight I am painting at an event called "Art At Hart", Santa Clarita Cowboy Festival in a quick draw. It is quick, 45 min. to paint a painting and 15 min. to frame and sign. Usually I paint from life or at least a study and digital images to support the view. Tonight I have to paint on the fly, so I took the big painting (which is coming along nicely) off the easel and painted this little painting as a possible idea for the evening. The idea I had in my head was paint a scene that would be a nice "Place To Ride".

Oil on Linen panel, 9" X 12"

"End Of The Day" ©

Saturday at the Earth Day celebration I had the chance to paint this little piece. Today and the next few, maybe several days I am painting a larger canvas of the blog "Cold Creek", from a few days ago. This canvas is 40" X 30", so I have the opportunity to add more rocks and details that I left out of the small study. It's all laid out as a value study and ready for paint in the morning. I spent a lot of guilt free time on the composition since it's so large. It's exciting and I can't wait to wake up tomorrow.

Oil on canvas, 6" X 8"

"Descanso Gardens Sycamore" ©

Today artists gathered in the Rose Garden of Descanso Gardens to celebrate the blooms. We exhibited painting of roses and painted, while visitors watched. It's always fun to field questions, especially from kids. I painted this little piece from under a willow tree.

Oil on Linen Panel, 8" X 10"

"Sundown" ©

This little painting is a myriad of ideas, a gallery wants a few small sunsets, an artist buddy and I have been looking a sunset paintings for a paint along and I need an idea for a quick draw in a week. So after a day of hauling gear and paintings for a show tomorrow, I just sat down at the easel and played. A nice way to end the day.

Oil on canvas, 6" X 8"

"Old Road" ©

Today I was running around, delivering paintings and frames. Then this evening I am painting with a group, so this afternoon I painted a small study to figure out a color problem on a larger canvas of the same view. It's interesting how much information the small paintings provide. Usually I paint small as a study for a larger painting, figuring out all of the issues before tackling a larger canvas but in this case I worked backwards. I have painted the larger canvas and it has a problem in the transition of light in the trees. Now, I can see where the larger canvas needs work and know exactly what needs to be painted. Never ending learning.....

Oil on panel, 5" X 7"

"Once A Farm Field" ©

Out the 126 Hwy, fields of orange trees are being uprooted and tossed aside in huge piles. I can almost hear the trees crying. I've been told it's all about money, what isn't.

Oil on panel, 5" X 7"

"Cold Creek" ©

Over the next few months I am painting solely for a solo show at Segil Fine Art Source in November. Today I experimented with "Cold Creek", looking for a scene that would warrant a larger canvas. This creek is truly freezing water, headed to the sea. Moss and lacy ferns are members of the surrounding forest and on the larger canvas will play a supporting roll to the rocks and water. I think this scene would also thrive with elegant grays.

Oil on panel, 5" X 7"

"California Poppies" ©

The poppy reserve in Lancaster is an austere, desolate place, without the dusting of orange, people would pass though looking forward to what is around the next bend. This is one of those paintings that was lurking unfinished and I tied it together today. The change I made after photographing it, just so you know, is fixing the distant purple mountain on the left into an interesting shape, not a pointed triangle. What was I thinking? Now it's OK.

Oil on canvas, 14" X 18"

"Shades Of Roses" ©

This is the second painting for the Descanso Rose show. It's not my usual work, so it was fun, hard and I had to drudge up my experience from a workshop years ago that fortunately included painting roses. Learning is never wasted.

A note for painters: The key that I was after here was gathering the "light" by using series grays. Without the grays the light would be diluted, creating just a bright painting without any teeth. Because it's out of the box for me, it was a bit difficult, but I am sure that the same principle would work in a landscape. Once I have finished the few paintings that I have in process, I want to take a landscape and key the whole thing in grays first, then add the light and see if I can't create a more interesting landscape then my usual job. Usually I use a value range to gain depth and light, using grays will be very interesting. If this works and I can grasp the concept, my painting will hit a new level.

Oil on canvas, 24" x 20"

"Glorious Roses" ©

Today was the ninth day since I lifted a paint brush. Bronchitis struck with fury, knocking me flat. Boy, did I learn a lot. Days are not short at all, I just pack to much into each and every one. You can be off line for a week and nothing horrible happens. And finally I learned what it's like to be sick and will have more compassion and understanding.

In a couple of weeks I'll be participating in a Rose only show at Descanso Gardens. So a nice way to get the brush moving without too much thought was to play in the petals.

I am still off, and from the amount of effort it took to paint today, I know it will be a few more days till I am "me" again.

Oil on canvas, 24" X 20"

"Serenity In The Afternoon" ©

This painting was named by a Signal Newspaper writer, Alicia, at the "Love Is In The Air At The Hyatt Valencia" art and music show yesterday. I was one of 3 artists painting live during the event. This scene was familiar to me and a good choice to paint while chatting with the guests. I enjoyed the day completely.

Oil on Linen, 14" X 18"

"Sierra Spring" ©

If you go back a few days I painted a small (5" X 7") study of this scene. Some changes have been made and now that it's up on the computer screen I see more to do but it's on it's way to being a painting. It's just a bit to "organized", and landscapes in general never are. Another way to say it is, random is much more appealing.

Oil on Canvas, 20" X 24"