"Onxy Afternoon" ©

Onyx, California is a classic example of our high desert. Sand drifts, Rabbitbush and cottonwoods announcing water in the distance are beautifully lit in the late afternoon sunlight. Marian Fortunati, Sharon Weaver and Diane Nelson Gold were my painting buddies out in the desert last fall and I am so looking forward to a return painting trip to Kernville.

Oil on panel, 12" X 12"

"Rolling In" © studio

"Rolling In" on the easel, shows a good example of taking a small oil "sketch" and creating a large painting from the idea captured in the sketch.

Oil on Canvas, 30" X 40"

My small painting is on the little easel to the right of the larger canvas. I knew I wanted the same proportions for the canvas but didn't have a fresh canvas on hand in that size, so I pulled an old canvas with an idea for a commission (long since finished and delivered) turned the painting upside down to lessen the confusion of waves vs. ducks and starting laying out the seascape.

At this stage the ducks are completely covered and I have laid in the general shapes and color patches, here and there. This is the fun part for me, feeling my way around the painting, making decisions and adjustments.

Here is a close up of the palette. I know it looks like a mess and I am constantly scraping down the glass starting over with a big clean space. The palette is custom. Sounds fancy but in honesty a quick inexpensive solution to needing more palette space. My husband cut a piece of wood and I had the fellow at Newhall Glass Co. cut a piece of glass to fit. I painted the back of glass gray and with not too much trouble I had a terrific palette. I have to give a little shout out for the Gamblin Radiants on the lower right side. Love them!

Oil on Canvas, 30" X 40"

"Santa Clara Riverbed" ©

I painted this scene on a 5" X 7" panel a while ago, and I finally had the time today to paint the same scene in the studio on a larger canvas. The sky is a bit strange, with the remnants of smoke from one of our more devastating fires. Originally it was a tough decision, whether or not to artistically document the smokey evening sky.

Oil on Canvas, 20" X 24"

"Kitty" ©

"Kitty" was a member of a family that is dearly missed, as she has passed away. The family asked that I paint her from a few photos that they had taken. Having had many animals that my family has loved dearly I imagined the life that Kitty lead while painting her portrait.

Oil on canvas, 14" X 11"

"Lazy River" ©

While painting this piece I kept hearing the old song "Up a Lazy River" in my head. My hope was to capture the calm water, cool morning air and sunlight just making an appearance for the day.

Oil on Canvas, 24" X 36"

"Stormy Sunday" ©

Storm clouds are arriving for a rainy Monday, perfect timing as the entire day was full of demonstrations by artists exhibiting in the "Impressions of France" show, at Segil Gallery. This portrait of a tree was my demonstration painting for the group. The exhibit has a great spread in the February issue of the "American Art Collector" magazine.

Oil on panel, 12" X 9"

"Montreuil Bellay River" ©

Tonight is the artists reception for "Impressions From France" show at Segil gallery in Old Town Monrovia. 9 of the artists that painted France will be there to greet you and share stories, a glass of wine and artwork. We were fortunate to have a write up in the current issue of the "American Art Collector". This painting is one I just found today, tucked away, that is not one of my 12 hanging in the gallery. If you would like to see it in person I would be happy to bring it to the gallery for you, just let me know.

Oil on Linen, 20" X 16"

"Frontenay Gate" ©

This coming weekend is the opening of the "Impressions From France" exhibit at the Segil Gallery in Monrovia. I was digging though the piles of paintings looking for the best pieces for the show and came across this small plein air piece I painted my first day in France. It's amazing how the memories of that day come flooding back when I look at this little piece. It started to rain at one point and a horse came up to the gate, nuzzling my backpack that I had tucked in the trees to get it out of the rain. Then a lady that lived nearby and offered me a free horse, how I was to get a horse home to California I have no idea. But you see how meaningful the paintings created on location become to artists. Meanwhile in the studio I am working on a large piece for a solo show in April. It will show up here on the blog in a couple of days.

Oil on panel, 8" X 10"

"Arroyo Trees" ©

A long time ago a master painter told me that "green" landscapes were the most difficult of all to paint. At the time I didn't know the difference between viridian and sap green, so his comment didn't mean much. Now years later every time I attempt a green landscape his words come back to me. All green landscapes are difficult but at the same time so very interesting, offering the challenge to come up with a variety of greens to tell the story. Which is what I have tried to do here, with the trees in the Pasadena arroyo.

Oil on canvas, 8" X 6"

"Deep in the Arroyo" ©

In Pasadena there is a natural arroyo and stream that runs year round. Even though you're in the city, once deep down in the arroyo it feels as though you have been transported to a distant wilderness. Horse and hiking trails lace their way between the trees, small animals slip into the brush as you pass and all the while you can hear the distant call of birds.

Oil on Canvas, 30" X 20"

"Wild Rocks" ©

When your hiking around Vasquez Rocks the rock structures are totally wild. The landscape looks like another world. This little painting captures the warm December sunlight at the end of the day.

Oil on Panel, 12" X 9"

"Cooking" ©

When you walk into Gales Restaurant in Pasadena the delicious smell of warm bread and garlic start the dining adventure. There is a show coming up with the theme of daily life in Pasadena. I have painted this interior of a local kitchen over the last few days as one of my possible entries. I'll have to come up with a better title, so if you have a suggestion, let me know!

Oil on Canvas, 16" X 20"

"Sunlight on the Riverbank" ©

Pardon the photo, Santa brought me a new computer and we are still making friends. I am learning the Mac way, after 18 years of Windows. Today's little painting gives you a peek at the backside of the Hansen Dam recreational area. The sparkly white sand was what attracted me to the scene and became the focal point of the painting.

Oil on Canvas, 12" X 12"

"Softly Setting" ©

Today a collector and friend called and mentioned that he and his wife were waiting for me to paint some skies once again. Sounded like a great idea to me and so I spent the day in fluffy clouds and juicy paint.

Oil on Linen, 9" X 12"

"Mailbu Lagoon" ©

Wishing you and your family the best Christmas holiday ever! After cleaning up the festivities and visiting relatives, I spent a little bit of the day at the easel painting a favorite classic California spot, Malibu Lagoon. Oil on linen panel, 5" X 7"

"Aspen Road" ©

Aspen lined dirt roads meander up and down the Teton Valley in Idaho. It would be interesting to see the valley in December with snow on the ground. If you would like to see good paintings of the Teton Valley in the winter, check out Bart Walkers work at www.bartwalker.com/.

Oil on Canvas, 6" X 8"

"Deep in the Forest" ©

Last night was the big show at Cope Studios in Glendale. The people flocked in , had a blast and seemed to really appreciate all the art. I was glad to be included in the show with my paintings. Today, after a day of Christmas shopping, painting "Deep in the Forest" was a welcome break.

Oil on panel, 12" X 9"

"Paramount Ranch" ©

Today was the last California Art Club paint out planned by George Malone for the 2011 year. We met at the Paramount Ranch near Malibu and had a beautiful winter day of painting.

Oil on Panel, 10" X 12"

"Winter Puddle" ©

After the last couple of days of rain there are a few puddles left standing in the sandy canyon soil.

Oil on Canvas, 6" X 8"

"Streaks of Sun"

Walking along the path with my painting buddies, the views to paint were endless on this December day. What caught my eye was the streaks of sun across the brush and sandy path. The wind blew one easel over and thank goodness we recovered all the Rosemary Brushes that flew to the ground. All we left behind, lost in the bushes, is a favorite painting knife that we will go back and hunt for.

Oil on Panel, 10" X 12"

"Winter Light"

Painting just down the road from home is a good

reminder that you don't have to drive for miles to find a painting spot.

Oil on Canvas, 6" X 8"

"Kern River, Morning"

Winter mid-week on the Kern River, completely quiet and void of human activity. A nice place to sit and think for a while.

Oil on panel, 8" X 10"

"Half Dome" ©

Half Dome, so easily identified that one of my daughters friends that cruised past my easel today exclaimed, "Hey that's Half Dome!"

Oil on Canvas, 16" X 20"

"Desert Dusk" ©

The Rabbitbush are just ending their show of yellow blooms for the season, here in Southern California. Some naked now are a lovely lavender, blending with the copper Buckwheat and other desert scrub.

Oil on Canvas, 11" X 14"

"Whitney Canyon Colors"

Living in So California, the mild weather lends an advantage to painting out. My painting buddy Lorelle and I hiked into Whitney Canyon to paint, meeting the one and only predator dressed in a cape, mankini (pink) and a lovely pink bra. I think someone should write a book, describing all the things plein air painters encounter.

Oil on panel, 10" X 12"

"Nice Place to Be" ©

About 4pm you witness the last rays of light down in Whitney Canyon. Standing still you can watch the sunlight drift though the trees lighting up different spots as the sun sinks. I was doing just that, thinking what a "nice place to be".

Oil on Canvas, 20" X 24"

"Simone" ©

Simone is one of the lovely large white cows that I met in France last year. She was mildly interested in me the day I painted her in a small sketch as one of her "sisters" attempted to snatch my backpack. I quickly dropped my brush and rushed over to save my gear from the dear girl.

Oil on Canvas, 20" X 16"

Winter Day ©

The idea of this little painting was the light streaming though the Oaks with the last bit of warmth striking the very dry sand in the bottom of the creek.

My time was limited as the light slipped away from me. I do like the idea of the painting and it might be worth exploring on a larger canvas in the studio.

Oil on canvas, 6" X 8"

"Waiting for Sunrise" ©

Clouds announcing the appearance of the sun for the day, in shades of pink. This was the scene just before sunrise, in the heart of France as we headed out to the bakery for the morning baguettes.

Oil on canvas, 14" X 18"

available for purchase $850.

"Golden Glow" ©

Walking along this Quigley Canyon trail, that is used by horses more then anything else I saw a buck with large antlers watching me. He went back to nibbling his dinner and I enjoyed the glow from the sinking sun light up the hills beyond the oaks.

Oil on Canvas, 12" X 16"

"Golden Moment" ©

Once in a while there is a moment at the end of the day when the earth seems dusted in gold, just before the sunlit finally dims into dusk.

Oil on Canvas, 38.5" X 17"

sold

"Morning on the Kern River" ©

You would never know that we were painting in downtown Kernville. A short walk though the park, down the little bank and your on the sandy beach watching the lazy river drift by. It's a bit of an illusion, it's a very dangerous river to stick your toe in. There is a strong current running under the serene surface that will take you down river into the rapids very quickly. Marian Fortunati, Diane Nelson Gold and Sharon Weaver were my painting buddies on this trip. We all painted this morning scene from different vantage points. After we finished, looking at our morning efforts I was once again amazed how artists will approach the same subject so very differently.

Oil on Panel, 10" X 12'

"Desert Flowers" ©

This small painting was the plein air piece that I finished before packing up my gear and seeing the evening scene of the Rabbitbush that I just posted. This valley that the town of Onyx is nestled into must be the perfect condition for Rabbitbush to thrive in. It was a different subject for me and I struggled to pull it together but working it out helped pull off the studio piece "Radiant Rabbitbush".

Oil on linen panel, 8" X 10"

(available for purchase @ $450.)

"Radiant Rabbitbush" ©

The tiny town of Onyx, California is known for the 80 or so, Turkey Vultures that come to roost at night in the park pine trees. In the morning they spread their wings to warm up with the day, then fly off into the desert until the next night.

What captured me in this scene was the back lit Rabbitbush and evening light blanketing the desert.

Oil on Canvas, 16" X 20"

available for purchase: $1,100.

"Kern River" ©

Driving up the Kern River Canyon there are several spots to pull over and picnic while enjoying the river view. This was my first attempt painting the Kern on the trip last week. The first painting is always exciting, figuring out the palette of the landscape and how to paint what I am seeing that is so different then what I typically paint at home.

Painting on Source Tek panels, #66, always helps, the little lovely linen panels practically paint themselves.

Oil on panel, 10" X 12"

"Riverkern Beach" ©

About 8:30am, along with artists Marian Fortunati, Diane Nelson Gold and Sharon Weaver we painted at Riverkern Beach, just a few minutes from downtown Kern River, CA. The conditions were perfect for painting, no bugs, snakes, wind and quiet except for a volleyball game at the campground next door. Actually, while your painting you don't hear anything, so the guys yelling didn't matter one bit. We had a great trip, painting and sharing. Lucky girls!

Oil on panel, 10" X 12"

"Sun Dusted Creek"

Our city purchased more "open space" off Quigley for hiking, biking, horseback riding and just plain enjoyment recently. I was walking late in the day and saw this view. Of course it ended up on canvas, what else was I to do? It's only about a mile from my home, so there will be more paintings of the Quigley Open Space to come.

Oil on Canvas, 16" X 20"

"King Gillette Ranch, Morning"

Yesterday the California Art Club's Ventura/Malibu chapter held a paint out at King Gillette Ranch. Located just over the mountain from the ocean, we were out of the haze but could see it drifting over the ridges. George organized the event perfectly as usual, he even sends us maps with little notes of where to park. This was my painting for the day, now looking at it I see bunches of details I should have adjusted while painting but standing out there it's too easy to just paint what you see. The never ending learning continues!

Oil on panel. 9" X 12"

"Morning Stream"

After being gone all weekend, exhibiting in Pasadena it felt great to be back at the easel today. Thank you to everyone that stopped by and visited the show, I so appreciate your time and purchases. This is a scene in the Teton Valley about a mile from my cabin last summer. I have wanted to explore painting the view since the morning that I saw it. It's typical of the valley, a meandering stream, lined with tall cottonwoods.

Oil on panel, 8" X 10"

"Alpine Summer" ©

This painting is about 75% done, but I was feeling neglectful about not blogging, so I am posting the process. The location is a mystery to me, the image was a gift from another artist. Actually she gave me 1,000's of landscape slides, a treasure chest of beautiful locations around the world.

Once the painting sets up a bit, I'll paint the detail. At the same time I will look at the tree tops to make sure they have some interest and add some rocks in the grass to balance the rocks right to left and lead the viewer a bit.

Working large (for me) my first goal was to get paint all over the canvas, to see how the patterns and values would work out. I have the mountain and sky pretty well figured out at this point.

After the line drawing I painted a local color wash

over the whole painting, very loosely. This is the really fun part, big brushes and great music playing.

Here is a little close up of the clouds, that you really can't see in the big photo. After I took this I did soften all the edges and did a little blending with my fingers. Just don't tell anyone, I don't want any lectures on safety.

This is the initial line drawing, in cadmium red light. It's a pretty rough road map for the painting but it allows easy movement of elements.

Oil on Canvas, 24" X 36"